Rebel Moon – Part Two: The Scargiver (2024)

Rating: C-

Dir: Zack Snyder
Star: Sofia Boutella, Ed Skrein, Charlie Hunnam, Michiel Huisman

And that rating is from someone who, unlike most critics, really didn’t mind the first part. I’m a fan of big, bombastic science-fiction, best exemplified by The Chronicles of Riddick. [Why nobody has ever thrown $150 million at Michael Bay for that kind of thing, I don’t know. And, no, the Transformers franchise does not count. And neither does Armageddon] I want to see square-jawed heroes or heroines, going toe-to-toe with irredeemably unpleasant villains, as burning spaceships fall from the sky behind them, onto the surface of an exotic planet. While Part One of this was heavy on the world-building and character development, at least we got all that out of the way, and could look forward to a second half of non-stop action.

Couldn’t we?

Um. Well. About that… All I can say is, combine the two, give them to a enthusiastic editor, who can merge them into a single, coherent movie of round about two hours, and you could well be onto something. Now, I like Snyder: or, rather, I used to. 300 is great, and I will honestly defend Sucker Punch as a genuinely good movie, especially in the director’s cut. But since then? Nothing has come up to the early work. You eventually reach this, the poster child for what happens when you give someone $166 million, and let them do whatever they want creatively, without apparent significant oversight. A visually impressive, but bloated and self-indulgent mess, lacking any significant heart. 

Things follow quickly on from its predecessor, Kota (Boutella) returning to Veldt with the warriors accumulated in Part One, who will protect her settlement from the evil Admiral Noble (Skrein) and his forces. For Noble is not as dead as Kota hoped at the end of the first half, which is a nasty surprise to her. Inevitably, we get the “training the locals for battle” sequence, but we also get an extended “bringing in the harvest” sequence, and a very extended “why don’t we all sit around and reveal secrets about our dark past and what the hell is Snyder doing, can’t he hurry up and get to the fighting” sequence. My attention and interest dwindled steadily throughout the first hour and more.

Eventually – and I stress that, eventually – we get to the cool stuff, and it’s not bad. Snyder does undeniably retain an eye for spectacle, and this does deliver eye-candy for those fond of giant fireballs (hey, sue me). However, it’s all empty: sound and fury, signifying nothing, and you’re left to try and work around wonky plotting which has a few farmers taking down the galactic rulers after a couple of lessons, going little further than “Stick ’em with the pointy end.” It helps, I suppose that Noble’s craft have a tendency to explode so easily, I suspect a recall from the manufacturer’s is in order. I imagine this may end up taking Snyder’s plans for a Rebel Moon Universe with it.

This review originally appeared on GirlsWithGuns.org.