[14] Woo's
major problem is handling emotion. No-one is ever mildly ANYTHING in a John
Woo film, the characters suffer mood swings that should have them on drugs
as schizos. The first half of this film especially is full of badly handled
sentimental fluff which feels like so much padding, unnecessary in a film
lasting 108 minutes. At times, it's more like a travelogue for the French
Riviera, where the heroes, three art thieves, are operating. They pull a
"last heist", only for one of them to get crippled, Of course, it's not
their last heist either. It's predictable stuff for the most part, and
pretty short of the high-octane action that Woo is best at.
E+